Rhythm in two syllables: Trochaic and Iambic

You've put rhythm in your quatrains and couplets.  Now it is time to put in rhythmical patterns.  First, the examples.

Trochaic Foot (closest to modern English speech):

Earth, receive an honoured guest;
William Yeats is laid to rest:
Let this Irish vessel lie
Emptied of its poetry.  -  W.M. Auden

Iambic Foot (most of Shakespeare):

If music be the food of love, play on; 
Give me excess of it, that, surfeiting, 
The appetite may sicken, and so die. 
That strain again! it had a dying fall: 
O, it came o'er my ear like the sweet sound, 
That breathes upon a bank of violets, 
Stealing and giving odour! Enough; no more: 
'Tis not so sweet now as it was before.   -   Twelfth Night, Shakespeare

Jabberwocky

BY LEWIS CARROLL

’Twas brillig, and the slithy toves

      Did gyre and gimble in the wabe:

All mimsy were the borogoves,

      And the mome raths outgrabe.

“Beware the Jabberwock, my son!

      The jaws that bite, the claws that catch!

Beware the Jubjub bird, and shun

      The frumious Bandersnatch!”

He took his vorpal sword in hand;

      Long time the manxome foe he sought—

So rested he by the Tumtum tree

      And stood awhile in thought.

And, as in uffish thought he stood,

      The Jabberwock, with eyes of flame,

Came whiffling through the tulgey wood,

      And burbled as it came!

One, two! One, two! And through and through

      The vorpal blade went snicker-snack!

He left it dead, and with its head

      He went galumphing back.

“And hast thou slain the Jabberwock?

      Come to my arms, my beamish boy!

O frabjous day! Callooh! Callay!”

      He chortled in his joy.

’Twas brillig, and the slithy toves

      Did gyre and gimble in the wabe:

All mimsy were the borogoves,

And the mome raths outgrabe. 

Your job is two quatrains of each, Trochaic and Iambic.  Rhyme doesn't matter, but is a bonus.  Done by Friday before school, posted here and printed onto paper.  Labelled clearly, double spaced for marking.